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the art life

"...it's just like saying 'the good life'".

Vote Early, Vote Often

Wednesday, November 21, 2007
What are the arts policies of the major political parties? Going by the results of our recent poll, the majority of the readers of The Art Life don’t base their vote on policies that will directly affect them. Maybe our readers are more concerned with issues of social justice, foreign affairs or perhaps we’re all just after a tax cut?

But for the rest of you who do formulate an opinion at least in part on arts policy, here is our quick guide to who is offering what in the forthcoming Federal Election 2007.

Liberal Party

It’s an interesting exercise trying to find anything online about the Liberal Party’s arts policy. Typing in “Liberal Party Arts Policy” into Google takes you to the confusing home page of the Liberal Party campaign. Their Policies and Plans section offers lots of policies and some nine point plans, but not a whisper on the arts. The arts portfolio is shared between Senator Helen Coonan and Senator George Brandis, neither of whom feature visual arts policy on their individual home pages nor on their department web pages. Buried deep in the recesses of the Department of Communications, Information Technology and the Arts website you will find information on grants available for touring exhibitions and a fund for helping with the insurance costs of Australian and international touring shows. We couldn’t find anything resembling an “arts policy” just a lot of funding announcements. Perhaps the best place to go to find out what the Liberals are doing [and have done] is to have a read of the speech given by Senator Brandis to the National Press Club. The message was simple: everything is great in the arts in Australia, most of it thanks to the Federal Government and not, as ‘myth’ would have us believe, the remnants of Keating-era ‘Creative Nation’ policy.

Australian Labor Party

By contrast, the Australian Labor Party website is a much easier to navigate – there’s a huge button marked POLICY – and when you see the bald-headed beauty Peter Garrett, you know you’ve arrived. The Labor Party’s commitments include several directly related to the visual arts. The flagship for the party’s pitch is Creative Communities, a program to hand out cash to community groups for art activities. Says the website:

“Local communities will have greater opportunities to create and enjoy their own art in suburbs and towns across Australia under a Rudd Labor Government. A Rudd Labor Government will increase base funding for the Australia Council by $10 million over four years in a Creative Communities program to improve opportunities for Australians to participate in arts and cultural activities in the places where they live. It’s clear that further investment in grassroots cultural resources significantly adds to the wellbeing of local neighbourhoods. All Australians should be able to participate in cultural life, irrespective of where they live or how much they earn."


The site also outlines other visual arts-related initiatives:

  • Investment of an additional $7.6 million over four years for the National Arts and Crafts Industry Support program to support Aboriginal Art Centres around the country.
  • Ensuring an independent and transparent Australia Council.
  • Implementing greatly simplified and faster investment application processes for Australian artists through the Australia Council.
  • Working with the States and Territories to improve the provision of arts and music education in schools.
  • Implementing a resale royalty scheme for visual artists, providing additional support for Indigenous artists who have experienced a boom in the Indigenous art market.
  • A strong commitment to Indigenous art and craft including addressing the issues raised by the Senate Committee report Indigenous Art – Securing the Future.


The Greens

You’ve gotta love the Greens website – it has all the allure of a health food shop. Still, it’s easy to see what’s on offer and since they can’t form a government, they offer philosophy and goals instead of spending promises:

The Australian Greens believe that:

1. creative artistic expression and cultural experience is a fundamental aspect of social wellbeing.
2. access to diverse, innovative artistic and cultural experiences should available to all Australians.
3. Australian artistic expression and culture should be protected and promoted.
4. creative artists play an essential role in Australian social life and should be fostered and supported.
5. Aboriginal and Torres Strait Islander artists and artistic work express unique cultures and heritage which must be supported respected and appropriately protected through legislation, policy and funding priorities.
6. cultural heritage must be protected and preserved.
7. national libraries and collecting institutions are essential to our understanding of ourselves and our place in the world, and must be maintained and developed as the repositories of cultural heritage.

Goals

The Australian Greens want:

8. Australian arts and culture to maintain its unique character and diverse nature through support and promotion of local content and the development of local projects for all forms of art and culture.
9. to promote arts and cultural events and access to those events with appropriate funding and support.
10. increased access to arts and cultural experiences in rural and regional areas.
11. the support and promotion of arts and culture that reflect the cultural and linguistic diversity of the Australian population.

Family First

Minor parties like Family First have a go at policy despite the fact they can’t implement them. Family First, the conservative Victorian-based party, has no policy on the arts, except if you include pornography, which they are against. They have a downloadable PDF on their website which explains what they are about, namely: “We believe Australia should be the best country in the world to raise a family.”

Democrats

The Democrats are the party that brought you the GST when The Liberal Party were snookered by a hostile senate. Since then, as leaders have left, married newsreaders or got drunk in Parliament, their influence has waned and many pundits are predicting 2007 is Gotterdammerung for the Dems… Despite this, the party optimistically offers world voters a six year old “action plan” for the arts:

“The Australian Democrats are the only party with a comprehensive plan for Australia’s cultural direction in our Australian Cultural Plan 2001 which focuses on the place of the arts and culture in shaping and reflecting our society. It includes the need to respect and promote Indigenous art and culture. And it acknowledges that diversity, creativity and innovation are critical to our nation’s future. We support a ‘whole of life’ approach to the arts, strengthening of artists’ legal rights, and broadening of funding opportunities.”


The Democrats also advocate greater support for working artists:

Many Australian artists live on the verge of poverty and maintain ‘day jobs’ out of necessity. The Democrats recognise and respect the arts as a legitimate field of employment and call for the creation of a ‘living wage’ for bona fide emerging artists, and extending unemployment programs and the Indigenous Community Development Employment Projects scheme to include training and employment in the arts for professional artists.


The Dem’s other main thrust is improved art education:

“The Democrats support greater arts education in schools and in society generally. We also support the integration of cultural objectives into the design and construction of the built environment so we are creating ‘liveable communities’. The Australian Democrats value the important contribution made by artists and continue to protect and promote our artists and our culture. We will continue to engage in ongoing debate and consultation with artists, their representative organisations, private sector companies and the broader community on the need for an Australian cultural policy and law reform.”


Christian Democrats

Built on a site that looks like it may have been made by a work experience kid, Fred Nile’s Christian Democrats offer two flavours – plain or vanilla.

The CDP have a page dedicated to Federal Policy. The CDP doesn’t have an arts policy as such but their culturally conservative values oppose pornography and supports censorship. Despite no arts or media policy, the CDP but does have firm views on subjects that the visual art community might have some concerns about:

  • drugs - zero tolerance
  • alcohol - too much is bad for you
  • immigration - “CDP affirms that it is the sovereign right of any nation to determine who may enter its borders for temporary or permanent stay…”
  • incipient Islamism - “CDP considers it is appropriate to call for… a moratorium on Islamic immigration into Australia while monitoring the willingness of the existing Islamic community to abandon support for terrorism, sharia law and separate communities.”
  • and global warming - some scientists say it might not be happening.

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Art World Thunderdome Part Deux

Monday, November 19, 2007
There can only be one! The Art Life's end-of-year death match is a contest to see who's the most important, influential and possibly the most beautiful in our art world. We never expected round two - Most Influential Artist-run Gallery in Sydney - to be as hotly contested as the commercial gallery poll. But with 345 votes cast this was one dog and pony show you had to be in. There was some late and spirited voting for Newtown's loveliest gallery At The Vanishing Point, and a hugely entertaining tussle for second place between Chalkhorse and Firstdraft, and it was heartening to see that our fictitious gallery Sport Space got a very respectable 6 votes. [We're now going to go ahead and apply for ARI funding based on this broad sweep of approval]. But at the end of voting a clear winner emerged - step forward MOP and claim your collective crowns.
Most Influential Artist-run Gallery in Sydney?

MOP 26% 88
Gallery 4A 2% 8
At The Vanishing Point 7% 24
Official Sydney 0% 1
Quarterbred 0% 1
Firstdraft 14% 49
Chalkhorse 14% 47
Factory 49 10% 33
SNO 6% 22
China Heights 2% 6
Don't Look gallery 3% 12
Squatspace 4% 13
Terminus Projects 1% 4
Peloton 5% 18
Sport Space 2% 6
An Other Gallery 4% 13

345 votes total

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John Stringer Memorial Site

As we noted below in a re-posting from The West Australian, the widely respected and admired curator John Stringer passed away unexpectedly last week. The Kerry Stokes Collection has posted a memorial website to commemorate his life and work.

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Sanity Clause 2007




DECK THE WALLS @
MOP
Christmas
Fund Raiser 13.12.2007
All Welcome
All works A4 & under
2D or 3D @ $50 any medium


For our Deck Christmas fundraiser what we would like you to do is drop in a work to the gallery any day that the gallery is open: Thursday to Saturday 1-6 pm or Sunday or Monday 1 -5 pm, and no later than Sunday 9 December. All works need to be labeled and no larger then A4 in any medium 2D or 3D. All works will be hung, they will be sold anonymously on the opening night Thursday 13th December, look forward to receiving your work. MOP Projects.


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What: Goatman and Friends
Who: Liam Frost
When: Opening November 21, November 22-December 1
Where: Don't Look Experimental New Media Gallery
419 New Canterbury Rd, Dulwich Hill
Gallery hours: 11am - 5pm, Thurs - Sat

More info: www.myspace.com/dontlookgallery
Email: [email protected]
Ph: 0401 152 434


Don't Look Gallery's new exhibition is by fourteen-year old Dulwich Hill Visual Arts High School student, Liam Frost. His first exhibition, 'Goatman and Friends', explores a surreal character known as 'Goatman' and his daily life. Goatman is just a regular Joe, the epitome of mundanity, living in an surreal world; an Earth destroyed and taken over by the animals.

But he is also the saviour and lord of the world. A following of mysterious rigid cubes that grate against organic earthly remains are his disciples. Together he and the cubes 'cure' the world from a dystopia all too realistic for the animals of earth. Hundreds of thousands of years after human civilisation, this exhibition adventures through a world of carnage and death juxtaposed with the beauty of nature and life.

Frost combines his skilful illustrations with poetry, animation, sound and mechanics to produce a spellbinding show.

A daily routine for Goatman

Goatman wakes in the morning,
He makes his bacon and eggs,
He eats his bacon and eggs.

Goes to work,
He's an accountant in some treetop.
On the weekends he likes to blow up buildings
And play marbles with the world.

A trail of floating cubes follow him
Transform coal into diamond.
Down the red carpet
Of some Melbourne alley,
Through the beating heart of illegality
And morality.

Goatman makes his dinner in the night,
He eats his dinner in the night,
Trades a suit for PJ's
Then goes to sleep.



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Artist finds "free market" a misnomer
....................................
Is it censorship (if they just won't return your calls?)
....................................

After 18 months of trying to buy a billboard space in inner Sydney, artist Deborah Kelly's antinuclear work finally went up in Chippendale on Wednesday 14 November, 2007.

The artwork (attached) was originally made for the 2003 Venice Biennale, and shown there as part of a collaborative project between Kelly and US artist Martha Rosler.

But in Sydney, no billboard company in the city would accept the work, funded by musician John Butler, citing mysterious "commercial conflicts", if they responded at all.

Company after company were very keen to take Ms Kelly's grant money- until, that is, they saw the artwork. Then , silence.

In desperation she approached her local council, and local politicians, who "became involved when the free speech issue highlighted the flimsiness of our democracy", she says.

With the help of questions asked in high places, Kelly has finally secured a billboard in Abercrombie St, Chippendale, between Cleveland and Broadway.

The billboard will remain in place until December.

Deborah Kelly can be contacted on dkellysocialchange[at]yahoo.com



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TCB presents:


FRONT SPACE
Talitha Kennedy & Mark Misic
"The Other Side of Paradise - Northern Exposure"

BACK SPACE
Carl Scrase

"Hallucinatory Façade"


21 NOVEMBER - 08 DECEMBER 2007
Opening Wednesday 21 November, 6-8pm


TCB art inc. artist run space
level 1/12 waratah place melbourne VIC 3000 AUSTRALIA
phone +613 96638233 email info[at]tcbartinc.org.au
web www.tcbartinc.org.au gallery hours wed-sat 12-6pm

Please note that TCB will be closed over summer from 08 December 2007 to 30 January 2008.

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Instant Haiku Review

Thursday, November 15, 2007




A world without water
Nothing here now but salt
rusting memories of us.




The sun is setting
the winter of a tired old man
goodbye John Winston Howard




Fuzzy prime ministers
Makes you want to hug them
Makes you want to cry

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Vale John Stringer

From The West Australian:

Leading curator Stringer dies

14th November 2007, 7:00 WST/ The West Australian

John Stringer, one of Perth’s leading artistic lights and the curator of billionaire Kerry Stokes’ vast art collection, has died at the age of 70.

Mr Stringer was found dead at his Northbridge home yesterday by his former wife June after he failed to arrive for work at Mr Stokes’ West Perth gallery.

He celebrated his birthday last week and was to attend his daughter Chloe’s wedding tomorrow.

As manager of the Stokes collection for the past 15 years, Mr Stringer s played a key role in opening its artistic riches — including masterpieces by Warhol, Monet, Matisse, Magritte, Drysdale and McCubbin — for public display.

A highlight was the Side by Side exhibition at the Art Gallery of WA in 2000, uniting masterpieces from the Stokes, Holmes a Court and Wesfarmers collections.

Mr Stokes said yesterday that Mr Stringer had a special gift for spotting artistic talent and had overseen the quadrupling of his collection into one of the most significant in the country. “He was unique in the arts in the exhibitions that he mounted,” Mr Stokes said. “I just thought he was the best curator I’d seen.”

Melbourne-born Mr Stringer arrived in Perth in 1988 as curator of contemporary art at the Art Gallery of WA from New York, where he worked for 18 years at the Museum of Modern Art, the Rockefeller Foundation and other institutions.

“If you went to New York or London with John, everyone in every gallery you would walk into would know John,” Mr Stokes said.

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"Five Stars - Simply The Greatest TV Art Show Ever Made!" - Sunday Life Magazine

Monday, November 12, 2007


A Year In The Art Life, ABC TV, Tuesday November 13th at 10pm.

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Renny Good Man



Renny Kodgers singes Nobody Does It Better. From YouTube and Renny Kodgers

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Art World Thunderdome Part One

The voting was intense - hours were wasted, friends were recruited, reputations were put on the line. In the end, our poll for The Most Influential Commercial Contemporary Art Gallery in Sydney was one of the most heavily contested ever posted on the blog. Oxley took an early lead and if Vasili Kaliman hadn't wasted all that time on Facebook, the gallery might have had a chance, but in the end there could only be one - step forward Barry Keldoulis and claim your prize!


The Most Influential Commercial Contemporary Art Gallery in Sydney?


Roslyn Oxley 9 Gallery 19% 78
Sherman Galleries 4% 15
Kaliman Gallery 12% 51
Sullivan & Strumpf 2% 7
GrantPirrie 6% 26
Boutwell Draper 2% 7
Yuill/Crowley 1% 5
Darren Knight Gallery 5% 19
Damien Minton Gallery 7% 27
Sarah Cottier Gallery 2% 9
Martin Browne Fine Art 0% 1
Gallery 9 7% 30
Groundfloor Gallery 1% 5
Tim Olsen Gallery 0% 2
Stills Gallery 3% 11
Ray Hughes Gallery 1% 6
Gallery Barry Keldoulis 24% 97
Rex Irwin Fine Art 2% 7
Liverpool Street Gallery 1% 3
King Street Gallery 1% 5

411 votes total


We're currently running round two - the most influential artist-run gallery in Sydney. It's a tight but friendly contest between Firstdraft and MOP at the moment, but anyone could win - even the entirely fictional Sport Space! If you want to rort the votes, remember, you can vote once a day until the voting ends this Friday at 5pm. Like they used to say in Queensland, vote early, vote often.

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Renny Bad Man

The Heat is. . .On!

Chalkhorse Gallery 56 Cooper St Surry Hills, Sydney.
November 29th 2007 at
6pm




In The Heat is…On! Renny Kodgers will perform in a fully operational sauna installed in Chalkhorse Gallery. In this environment Renny will exchange his most intimate bodily fluids in one of the most generous artistic displays in the history of Australian performance. Each pore will be completely dilated releasing a torrent of unfettered visceral information. This is an opportunity for any person, animal or thing to engage with Renny on a visceral level previously unheard of. Bodies will be obliterated in a swell of sweat, building new relationships and creating new levels of interpersonal engagement.

Renny Kodgers is a renegade performer on the Sydney burlesque and performance art scene known for his camp send up of the country singer Kenny Rogers and his broad range of performance stunts. These have included his performative opus, “One Love” an event that turned Jensen’s Tennis Centre, Surry Hills into a celebration of artist’s egos, failed dreams and ball girls in hot pants.


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PAUL WORSTEAD

WHOOPERS

you invited to the opening of the exhibition
this Tuesday night November 13 2007 from
6 to 8pm


Insufficient superannuation syndrome.
Oil on board, 320mm x 260mm



Paul Worstead was once selected in the Archibald Prize for his self portrait as a bunny and in 2006 was a finalist in the Sulman Prize.

His posters and screen prints were recently acknowledged at a survey show in 2005 at the Tin Sheds Gallery, Sydney.

After regularly exhibiting at Gleebooks, Sydney, this is the second exhibition of new work at the Damien Minton Gallery.

In 2008 the Hazelhurst Regional Art Gallery will present a survey of his art practice curated by fellow artist Reg Lynch.

EXHIBITION DATES 14 NOV TO 1 DEC, 2007 SECOND GALLERY ROOM WED TO SAT 11 TO 6

DAMIEN MINTON GALLERY
61-63 GREAT BUCKINGHAM STREET REDFERN 2016
T: 02 9699 7551
E: [email protected]
www.damienmintongallery.com.au



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Click to enlarge


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2. International Art Exhibition – Venice Biennale 2007
10.06.07 > 21.11.07

Pensa con i sensi—Senti con la mente. L’arte al presente/
Think with the senses—Feel with the mind. Art in the present tense
Curator – Robert Storr



Another Misspent Portrait of Etienne de Silhouette
Christian Capurro et al.



To complete his 2007 Venice Biennale of Art project in Think with the Senses-Feel with the mind. Art in the present tense, Christian Capurro will be staging 3 more events, complimenting the 3 that were staged in June, in the last week of the show. These events are dialogues with, or generated from, the Another Misspent Portrait of Etienne de Silhouette work that is currently installed in the Corderie (Arsenale) exhibition space.

There will be a concert or ‘sonorous occupancy’ in the installation space by the Treviso-based ensemble l’arsenale, plus 2 talks at the Fondazione Bevilacqua La Masa; one by the Englishman, Dr. Roger Cook (ex-artist, -actor, - Vogue Hommes model and current Research Fellow in the Institute of Germanic and Romance Studies at the University of London) and one by the Islamic scholar Biancamaria Scarcia Amoretti from ‘La Sapienza’ University in Rome.


November ‘on/off-site’ events:

ensemble l’arsenale - (occupazione sonora/sonorous occupancy)
17/11/07 - 16:00h, ‘Another Misspent Portrait of Etienne de Silhouette’ installation in Pensa con i sensi—Senti con la mente. L’arte al presente, Corderie, Arsenale

Biancamaria Scarcia Amoretti - ‘Pensare, dire, produrre immagini: il punto di vista parziale di un islamista’ (incontro/talk: italiano)
19/11/07 - 18:30h, Fondazione Bevilacqua La Masa, Palazzetto Tito, Dorsoduro, 2826 - 30123 Venezia

Roger Cook - ‘I Was a 1980s Commodity Fetish: thoughts provoked by Christian Capurro’s “Another Misspent Portrait of Etienne de Silhouette”’ (incontro/talk: inglese, transl. italiano)
20/11/07 - 18:30h, Fondazione Bevilacqua La Masa, Palazzetto Tito, Dorsoduro, 2826 - 30123 Venezia.

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There's still time...

Thursday, November 08, 2007
... to vote in our "most influential commercial contemporary art gallery" poll. Current voting puts Gallery Barry Keldoulis in an almost unbeatable lead with 79 votes, Roslyn Oxley 9 Gallery second with 65 votes and at the tail end of the field Tim Olsen Gallery, Liverpool Street Gallery and King Street Gallery are looking for more friends. For those wondering how to rort the system, you can vote every day until the close of voting at 5pm on Friday.

Slight Correction: It was pointed out to us that Mori Gallery is missing from the poll. There's no conspiracy there, we just forgot. We had thought of doing a round-up poll for second place, something like "what's better than a pork chop - Mori Gallery or apple sauce?" but decided against it. Let's just say Mori Gallery got five votes and apple sauce is just as popular as ever.

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Subscribe & Win!

Tuesday, November 06, 2007


Join our mailing list and receive a complimentary haiku! That's right, when you join our Feedburner mailing list you get a complimentary haiku by Japanese master Basho at no extra charge. In addition to priceless 5-7-5 verse, you'll also receive, delivered directly to your email, updates of new Art Life content at no charge! How do you get in on this amazing offer? Simply enter your email address into the box under Email Subscription, hit the 'subscribe' button. Follow the instructions to verify your address to make sure you're not a robot, then you'll be asked to activate your account via email. Once your signed up, an email will arrive the morning after new material is posted complete with images, links and all the full-flavoured Art Life content you've come to expect. It couldn't be simpler!

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Art Life Omen Bet: Sculptor

Monday, November 05, 2007

From The Sydney Morning Herald's Melbourne Cup form guide


Incredibly, the Melbourne Cup features a horse called Sculptor at number 17. Look no further than this fine equine specimen for your Melbourne Cup omen bet. With long odds of around 30 to 1, the odds sensibly reflect the actual position of sculpture in the art world - "can be a ratbag in the gates". We're looking at a sober place bet [crossing the line at first, second or third] for just 50 cents, but at those odds you'd be crazy not to. This is what your betting slip should look like:



Good luck!

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A Year in The Art Life...

We're super excited to announce the premiere screening of our new made-for-TV special A Year in The Art Life. Screening at 10pm on Tuesday November 13th at 10pm on your ABC, the show features a run down of both the best and the most regrettable art moments of the past art year.



There will be some very special surprises for regular Art Life readers who [we believe] will be thrilled to see a virtually pure translation of the blog to the televisual medium. And for those of you who lamented that our three-part show that screened earlier in the year didn't measure up to your sky-high expectations, we can also happily advise that we've taken your suggestions and incorporated them into the new show. As a result we think that A Year In The Art Life isn't just a good show, it's the best art show ever made.

Andy Warhol's Silver Screen



Andy Warhol, TDK, from YouTube

[
Click here to view]

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Monument to Something

PRESS RELEASE: PAM AITKEN

Opening Wednesday 21 Nov, 6 - 8pm.
Thursday 22 Nov to Saturday 15 Dec, 1 - 6pm
At Factory 49, 49 Shepherd St, Marrickville 2204



Variation on a still point 19, 2007.
pencil on paper 14.5 x 20.5 cm


Aitken is interested in expanding the inventive and formal aspects of the line and the grid through painting and installation.

Monuments of Nothingness has an uncertain vision of the structured grid. This vision has indeterminacy, ambiguity and irrationality, a combination that ultimately leads to non-structure.

Repetition is a condition of action before it is a concept of reflection. We produce something new only on condition that we repeat.

Monuments of Nothingness will expand the expectation of perception of vision, leading to a new ability to see something in the nothing.

Factory 49 Director Pam Aitken BVA(HONS), MVA
Showroom 49 Shepherd St, Marrickville, Sydney 2204
Hours Thurs - Sat, 1 - 6 pm (+61) 2 9572 9863
[email protected]



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NEON PARC
PRESENTS
Trevelyan Clay
My Megalith
13th – 17th November 2007
Opening 13th 6-8PM
Silvershot
3rd Floor, 167 Flinders Lane,

Melbourne 3000. (03) 9663-4991.
[email protected]
Tues-Sat 12.00 to 6.00




Trevelyan Clay’s unpretentious approach to painting characterizes his work which is chaotic, humorous and full of movement. Since bursting onto the Melbourne art scene late last year he has added new energy and possibilities to painting in terms of both expression and content. My Megalith is Clay’s second solo exhibition in Melbourne, and continues his dialogue with the Australian landscape and it’s relation to cultural identity. His approach is risky; appropriating the markings that relate to the cultural property of indigenous communities is not a politically correct gesture.

But through this Clay makes a bold statement: the landscape is mine to interpret too. The paintings are executed in a fierce and eye-catching manner; the colours are vibrant and applied in big strokes, giving the work a deliberately childish and chaotic quality. The conspicuous expanses of colour render the painting flat and without illusionistic depth that adds to the naïve impression, yet allude to a metaphysical space that reconciles seemingly irreconcilable epochs.

Trevelyan Clay was born in the UK in 1982 and graduated from the Canberra School of Art in 2005. Since then he has exhibited at Stark White Gallery, Auckland, Neon Parc, Melbourne and CCAS, Canberra. His work is held in various public and private collection in Australia and New Zealand including the Chartwell Collection, Auckland Art Gallery, Toi o Tamaki, Auckland, New Zealand; Peter Fay Collection, Sydney; Australian National University Collection, Canberra; Artbank, The Ergas Collection, Sydney, Joyce Nissan Collection, Melbourne.

For more information, interviews and print-ready images contact: Tristian Koenig +61 3 96630911 +61 415 297 037 [email protected]

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Magmart | video under volcano, international videoart festival.


From October 2007 to February 2008, will take place the 3rd edition of Magmart | video under volcano, international videoart festival.

The Festival is realized in partnership with CAM - Casoria Contemporary Art Museum, and with the patronage of the Province of Naples.

Magmart festival's online media sponsor is the art news portal ShaVis.com. Marmart festival's broadcast media sponsor is the tv channel insu^tv.

The Festival activity begins on October 10 with the publishing of the call for participation, and will end with final event, scheduled for February, 23/24 2008, at CAM: On February 23, for the screening of 30 videos selected by Jury, in coordination with other artistic events. On February 24, 2008, the selected videos - which become part of permanent collection of Museum - will be screened on loop for the Museum's visitors.

RULES

The Festival is open to all international video artists. Participation is free. The Festival is dedicated exclusively to video art, and don't suggest any particular theme. Between all submitted videos, will be done a final selection based on vote of a Jury composed by experts. The 30 selected artworks will become part of CAM permanent collection. All sended materials don't will be return, and will be stored in the Festival's archive like documentation.
Sending the participation form, the artist accept fully the present rules. The Jury verdict is incontestable.

The artist accept that his/her own videos will be broadcasted online and offline, on site www.magmart.it and on tv channel insu^tv; he/she accept that, if selected, the video become part of permanent collection of CAM, and should be freely screened within Museum rooms. All the videos, selected or not, can be screened in any other place or event related to Festival, online or offline, with exclusion of any commercial use. Still-frame from videos can be freely used for the Festival communication, mentioning title and author of artwork. All rights on videos remain property of author. The author assert, under his/her own liability, the complete right of use on used materials (images, sounds, videos) and that compose the artwork; the author undertake
completely the liability for any breach of copyright laws.

To participate is necessary fill out the form available online, on official website of Festival. The omission, or the incorrect filling, of one or more parts of form itself, will involve the exclusion of video by selection of Jury. Will be accepted only the videos received within midnight of December, 31 2007. The shipment bill are on the back of author. The possible selection by Jury is in any case subordinate at an essential condition for the proclaim of winners: the author of selected video must send, via ordinary mail, and within midnight of January, 15 2008, the donation act to CAM of the copy of his/her own video, downloadable from official website of Festival. This donation act don't underlie in any way a transfer of right, but certify exclusively the willingness of author so that a copy of his/her own video artwork will be permanently keeped - and, with limitations above, utilized - in the permanent collection of CAM.

Without this donation act, the videos will be rule out by group of 30 selected artworks, and replaced by those immediately subsequent in Jury's ranking. Any author can participate with max 5 videos.

TECHNICAL FEATURES OF ARTWORKS
The videos must be fully realized with digital tech.
The videos must be sent in format .mpeg or .mov (PAL); any other format will be rejected.
The max length of videos don't must surpass 10 minutes.
The videos must be accompanied by participation form fully and correctly compiled.
The videos must be accompanied by a still-frame from video itself, in format .jpg, and with dimension not less than 400 px X 300 px.
The videos must have a quality (dimension, resolution) good for a public screening, without any further shipping of an high-res copy. Suggested size is 720px X 576px; minimum size required is 640px X 480px.
If the video is a shooting of a performance, this must be fully visible within video length.

SUBMISSION WAY
Is possible to send required materials for participation (video, form, image) in two ways:
- online | Filling out the form, before midnight of December, 31 2007. In the form, must be indicate an URL http or ftp for downloading the video (i.e.: http://www.mydomain.com/myvideo.mov) and the still-frame from video (i.e.: http://www.mydomain.com/myimage.jpg); is possible to utilize a service for big files transfer. The video and the image must be effectively available at indicated URL within the deadline.
- offline | After fully filled out the form online, the image and the video must be sent via ordinary mail or carrier at the address that will be communicate via email after online submission. The files must be on digital support (CD-Rom or DVD), Mac/Win or Windows compatible.

JURY
The jury is composed by:
Giuseppe De Marco - Mediavox
Luca Magnoni - Journalist / Creative Director
Antonio Manfredi - Artistic Director of CAM
Arseny Sergeyev - Curator of Outvideo Festival
Enrico Tomaselli - Artistic Director of Festival

For informations: [email protected] www.magmart.it

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