The essay "Political Paranoia as Cinematic Motif: Stone's "JFK"" (Robert S. Robins : Professor of Political Science, Tulane University New Orleans) discusses cinema as a political instrument ----
In film the paranoid message is a means of fulfilling, an 'artistic' (read producers) need. The paranoid message is a dramatic one (adultery or murder). The script completes the story and fulfills the audience's desire for understanding odf a previous event - 911 perhaps. People cling to this belief with remarkable tenacity. For example, Gerald Posner, who wrote the well-reviewed anti-conspiracist Case Closed, was the object of threatening telephone calls and picketing by demonstrators carrying signs saying "Case Not Closed." Some conspiracists even advocated a day of national resistance to the book.
This author argues that the great strength of the paranoid message in 'docudrama' lies in its capacity to add an element that both explains an event and testifies to its importance - adding drama to a film - and more profitable. BUT is not simply entertainment. As it entertains, it persuades - if the audience is not persuaded it will lose interest. ( suspension of disbelief) The social harm that the film commits goes beyond the distortion of history - creating a broader intellectual pollution. Each paranoid film gives weight to a popular mentality of paranoid belief. If event after event is "shown to be" the product of a malign conspiracy, then the public will accept that that is how the world works.
Labels: artistic, cinema, conspiracy, docudrama, drama