Book Description
In this dramatic reexamination of one of the most influential paintings of the Romantic era, Albert Alhadeff shows how Géricault’s seminal canvas was a reflection of early abolitionist sentiment, as well as one of the first uses, in European art, of a black figure to symbolize the hopes of all humanity.
Based on a controversial and politically charged event, The Raft of the Medusa is Théodore Géricault’s most ambitious work. The painting depicts the wreck of a French government ship off the West African coast, and its passengers’ desperate struggle to survive. Since its unveiling in 1819, this masterpiece has been decried and admired for its unrelenting realism and for its ground-breaking portrayal of the ship’s survivors. Here Alhadeff revises the standard reading of The Raft as a realistic depiction of a tragic event, highlighting instead the ambiguities Gericault has woven into the scene. These ambivalences, he argues, reveal as much about Gericault's artistic brilliance as they do about the advent of abolitionism in the turbulent society in which he lived. Elegantly written and illustrated with details from the painting as well as rarely seen comparative illustrations, this is a provocative new look at a work which remains central to the history of modernity in art.
From the Publisher
Théodore Géricault (1791-1824) was a key figure in the French Romantic movement. During his short career he created works which would have a lasting influence on his successors, in particular Delacroix.
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